Ruth O’Callaghan has published three volumes of poetry so far: \"Where Acid Has Etched\" (2007), \"A Lope of Time\" (2009) and \"Goater’s Alley\" (2010). Part of her poems have been translated into
you were singing for those happy hosts
around you rotating their hands
searching for apples and nuts
like the windmills in front of don quixote
they were livening up your song shadows
returning
1. if I were a sceptic and a pessimist,
the interiour of a strawberry would be
a little wooden box. you sell everything
on another’s account and only stains remain,
shame, blackmail, fears,
a while ago, I was thinking how it would be if I were made only of words – like this – only whispers from one mouth to another, a gentle sign, a breath between two playful gazes, an inspiration
sweetie, more and more often
people call me by names other than I know,
as though they would abandon me in the baptistry.
they talk to me addressing other faces and I
watch their dialogue,
their
you wait and wait
rod in anticipation
you feel it suddenly
it pulls
you say what could it be?
and reel a shoe
you throw again
wait
it pulls
what if it is nothing?
and you reel a soldier’s
my dream horses’ provender was my lack of spontaneity.
as the day when I was eleven and found the front door open,
doorcase broken, fridge empty, no cuban sweets on the table,
wardrobe jumbled,
no wild creatures turn up in my forest.
my forest simply is.
it is for the owl’s lonely hoot
and the spider’s stroll along the moon’s lips,
for the she-bears who do not rush to towns,
but move
if you have got the impression poets live
to no purpose, then
give them something to work on, such as
an execution and a child birth in one pack,
two in one.
wait for about twenty years, let
This is an invitation to the launch of a book by Diana Ioncică: \"Cultural Hybridization in the Contemporary Novel\".
The book explores the controversial postcolonial concept of cultural
I\'d have liked to become an architect,
as I like drawing and painting,
the perspective and tall pillars. I used to
dream about beautiful and large buildings,
but one day I envisaged their
while I am giving my lover’s wellies a rub,
I remember I used to write him love letters
once, transparent, loud, wide open, mouth
smiling. and, arrested by a dead woman,
a diva’s great voice,
nobody has ever told me I am beautiful really truly
mindfully disquietly endlessly whispering not even
when the moirae were hastily stirring in the pots by my
cradle among the cherry-trees not
one day a poet came to me he wrote a long text on my back – I was murmuring once in a while yes no yes no he was writing incessantly passionately painfully rebelliously
he has never read to me
light is darkening -
indecent magnolias
on the river banks.
*
foxes beckon trees
to release their singing birds -
no wind in the woods.
*
ripples whispering
messages in the shadows
If I were a transparent willow
I would have many more arms to caress you
If one of them were lazy
There would be another to shiveringly rise its garlands of leaves
And touch your raindeer
She crossed the sea climbing hill after hill
The land made her blister
Only the interiour sun was faithfully searing her sores
She used to eat fallen apples like a manicheist
Empty like desert
I am going to describe my lover
in the most ordinary way
look:
she appeared from nowhere
exactly when I started to see the world
as an ethernal field hospital
suddenly she came
like a
Omar, I love you in the morning
When you get out on the balcony tuning your trumpet
The yearning lace suspends the life in the French Quarter
A jealous sun is cheating burning liquid
The walls
A bird with two bodies
Was drawing near in twin flight from its world
It was searching for nest in me
I was waiting eyes wide open all day all night
Its feathers were rustling wriggling for a
I love the one that enters the waves up to his waist
And carves me a husla on the beach at Izmayil
Out of an old willow forgotten on the river side
As a hidden subject
He sews me shoes out of its
A man is like a bus
He is always following his own way written on the timetable
He stops at bus stations blinking his right headlights
He starts again winking those from the left
Sometimes you
mimosas in the snow my sun seen in sleep
rummaging my hair on a pillow of fluffy airy sugar
torn walls by the legs of the bed
monastery puzzle in the peace of my palms
the fruit yes the
almost every woman has yearned for more
everyone collects a memory within her ribs
never shared with their daughters
when they comb their empty look with the passion
of disavowing life
I think